Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18 Page 19 Page 20 Page 21 Page 22 Page 23 Page 24 Page 25 Page 26 Page 27 Page 2810 Jim Dine’s lengthy artistic career has seen him experiment with a variety of media and processes, from painting and sculpture to performance art. One of America’s most renowned contemporary artists,hehasbeenparticularlycaptivatedbythevarietyoftechniques found in the printmaking field and has produced approximately 1,000 prints during the course of more than five decades. Dine first started his study of printmaking at Ohio University in Athens, Ohio, where he completed his undergraduate degree in 1957. Following a year of graduate study in Athens, Dine moved to New York City where he experimented with performance art and “Happenings” at a number of galleries. His paintings began to include images of everyday objects, a characteristic that inspired critics to link him with the Pop Art movement (though Dine always resented that association). His work was soon featured in leading New York galleries and museums, including Sidney Janis Gallery and the Guggenheim Museum. Dine was introduced to master printer Tatyana Grosman of Universal Limited Art Editions in 1962 by fellow artist Jasper Johns, and this began a series of collaborations with accomplished print shops throughout the world. Recurring images began to appear in his work, including tools, brushes, hearts and robes, all of which were tied to personal memories and inspiration. Dine became engaged in a constant push against the perceived limits of printmaking, and his resulting images were astonishing in terms of scale and visual impact. The group of prints that will be on view at HMA was a gift from the artist to the Kennedy Museum of Art at Ohio University that followed a solo exhibition of his work in Athens in 2011. Many of the works range in height from 6 to 8 feet and showcase the exceptional results that Dine and his printers achieved in the production of the prints. Mixing a variety of processes in the execution of the work, Dine’s prints are done using woodcut, etching, and lithography along with the artist’s alterations that include sawing, carving and hand coloring. In addition to the familiar iconography of robes, hearts and skulls, a number of the prints feature the image of Pinocchio, the children’s storybook character. Dine’s fascination with Pinocchio began with a viewing of the Disney film as a child and his portrayal of the subject displays a range of expression that varies from innocuous to sinister. The magical story of Pinocchio’s transformation from a carved wooden figure to a real boy mirrors the symbolic transformations Dine sees in the work of artists, who make materials come alive in a sort of modern day alchemy. Presented with support from The Isabelle Gwynn and Robert Daine Exhibition Endowment. Jim Dine Prints From the Kennedy Museum of Art at Ohio University Switzer Gallery November 12, 2016 - February 12, 2017 This program is presented with financial assistance from the West Virginia Division of Culture and History, and the National Endowment for the Arts, with approval from the West Virginia Commission on the Arts. Jim Dine, American, born 1935. The Gray Fort. 2003. Woodcut with hand coloring, 71 x 55 in. Photo courtesy of the Kennedy Museum of Art. Jim Dine, American, born 1935. Yellow Enamel. 2006. Woodcut with hand painting, 68 x 53 in. Photo courtesy of the Kennedy Museum of Art. TullyandBrandy Roisman Present