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The Daywood Collection

January 23 - August 22, 2021

Among the most beloved treasures in the Huntington Museum of Art is The Daywood Collection, which came as a gift to the Huntington Museum of Art from Ruth Woods Dayton in 1966. Assembled by her husband, Arthur Spencer Dayton, and Mrs. Dayton, this rich group of objects reveals the Daytons’ strong emotional and intellectual response to art.

The Daytons had entered the collecting world in 1916 when they received a gift of the painting Munich Landscape, by Ross Sterling Turner, as a wedding present. That would be the beginning of a collection that would eventually number more than 200 works of art, including more than 80 paintings.

Many of the works are modest in size, deliberately chosen to fit comfortably in their Charleston, West Virginia, residence. The collection includes many of the great names in 19th and 20th century American art, such as Childe Hassam, Edward Hopper, Andrew Wyeth, Winslow Homer and others, as well as stellar examples of European art including Henri Le Sidaner’s Window on the Bay of Villefranche, the First Prize winner in the prestigious 1925 Carnegie International Exhibition.

Though 40 of the Daywood paintings will be away from Huntington in a national touring exhibit, the HMA presentation of the collection will include many favorites such as Joyce by Howard Somerville, and Childe Hassam’s stellar work from his famed “flag” series, Lincoln’s Birthday Flags, 1918. The show will also highlight the rich and deep collection of drawings and prints that was assembled by the Daytons, with works ranging from prints by old masters such as Rembrandt to later examples by John Singer Sargent, James McNeill Whistler, Martin Lewis and Thomas Wilmer Dewing.

When she gave the collection to the Huntington Museum of Art, Ruth Dayton expressed a great deal of personal satisfaction in knowing that it was going to be cared for and displayed in a proper manner, remarking that “the Daywood Collection will always have a home in West Virginia and will continue, through the years, to bring pleasure to art lovers in the State as well as to visitors from throughout the nation.”

As we celebrate the 50th anniversary of the addition to the Huntington Museum of Art facility that made the gift possible, the display of The Daywood Collection stands as a fitting tribute to the Daytons and their extraordinary legacy.

Presented with support from The Isabelle Gwynn and Robert Daine Exhibition Endowment.

This program is presented with financial assistance from the West Virginia Department of Arts, Culture and History, and the National Endowment for the Arts, with approval from the West Virginia Commission on the Arts.

Craig Allen Subler: Eccentric Spaces

January 30 - April 25, 2021

Contemporary West Virginia artist Craig Allen Subler brings a unique set of experiences to his work, drawing upon his lengthy career as both a working artist and a museum administrator.

Born in Dayton, Ohio, he did his undergraduate studies at the Dayton Art Institute and obtained graduate degrees, including an MFA, from the University of Iowa. He later served as the Olsen Professor in the Department of Art and History and the Director of the University of Missouri-Kansas City Gallery of Art. From 1980-2001 he curated more than 180 exhibitions, ranging from shows of work by Jasper Johns, Yoko Ono and Robert Rauschenberg to a unique exhibit on the topic of African hats, and produced 30 exhibition catalogues.

Subler’s art has been seen in more than 84 group exhibits and 15 one-person shows. He has received several public commissions and his work is included in many museums and private collections.

He is currently retired and living and working in his studio in Gerrardstown, West Virginia.

In his exhibition at the Huntington Museum of Art, Subler’s drawings, prints and paintings focus on the complexity of the museum experience. Museums are highly choreographed and artificial domains where curators, educators and designers cluster objects to create clear and defined narratives. Yet as visitors walk through the museum, they encounter individual rooms that feature objects not related to those they have just experienced. In his work Subler focuses on making a new narrative through the juxtaposition of spaces and objects. His works present a complex accumulation of fragments and viewpoints. It is puzzling for the figures that inhabit these works, while reminding us of our own museum encounters.  

Presented with support from The Isabelle Gwynn and Robert Daine Exhibition Endowment.

This program is presented with financial assistance from the West Virginia Department of Arts, Culture and History, and the National Endowment for the Arts, with approval from the West Virginia Commission on the Arts.